I
took 6 pages of notes during our discussions of the novel and I know I still
missed so much! A few of the
discussions involved how Steinbeck defined family and friendship, the role of
‘hands’ in the novel, Lennie’s vision of the rabbit, the reaction of the Boss,
Curley, and Slim to George and Lennie traveling and working together, Crooks
role, and how the setting fit the story (the story has been described as
claustrophobic).
I
thought one of the more interesting discussions involved Curley’s wife. How do you see her? Was she a tramp? Jailbait? Was she lonely and seeking companionship? Steinbeck wrote, in a letter to Claire
Luce, who portrayed the wife in the play adaptation, “She is a nice, kind girl
and not a floozy. No man has ever
considered her as anything except a girl to try to make.” And later in the letter, “…there has
probably been no consummation there since Curley would not consider her
gratification and would probably be suspicious if she had any. Consequently she is a little starved.” Makes me see her in a little different
light.
In
the afternoon actor Tony Newfield talked about the various adaptations of the
play-novelette. On 11/23/37 the
play opened on Broadway and ran for 207 performances. It won the New York Drama Critics award for Best Play for
the 1937 – 1938 season (a forerunner to the Tony Awards). Steinbeck, although involved in the
production, was writing The Grapes of
Wrath and did not see any performances. In 1958 the play became a
musical. Though it only ran for 6
½ weeks, critics loved it!
Steinbeck cried when he heard the piece “Candy’s Lament”. We also performed scenes from the
play. I was George in one of the
earlier scenes when Lennie tells George, “I like beans with ketchup.”
In
the evening we watched the 1939 film version. The film was the first in history to have a scene occur before
the credits. It was nominated (along
with “Gone With The Wind”, “Stagecoach”, and “The Wizard of Oz”) for Best Picture
at the 1940 Academy Awards. Lon Chaney, Jr. was also nominated for an award (for
his portrayal of Lennie) as was Aaron Copeland for his musical score. What a beautiful, moving film!
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